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Thursday, May 27, 2010

Some have been encouraging me to share more poems. This is one of those rare ones that actually felt finished after I wrote it down. It's actually — and I guess obviously — a collection of several poems written together over the course of a few days. From my "wanderings in the wilderness," when I was always heading north ... always north; as north as north can be. (Why north? Because it isn't south, apparently.)


The Canadian Northern Suite


I. Departures


Union Pacific

Runs slow as sap

This year,


Still I insist

A stranglehold —


Track-pulse coursing through the grabiron

Like last life through a vein,


Thundering,

Drinking in the autumn

While it dies wonderful deaths.


I have missed

The slack-action

Of great departures

All my life —


A long day

Sheltered at the siding


Watching trains slip by.


I would trade

My life for this —


One skull

Worth the moment;


The great rivers

So much larger

Than each bridge.


Sunsets dig beneath

Each surface

As they fade,


Parade the light;


Give the tree-line

Bones, ghosts,

wings —


Creation myths

In life unceasing.


I have never put

That light behind,


Bulkhead-strong

In tatters

And torn blankets;


County bridges, good weather,

Grace in transit.


II. So Taken Care Of


That day when the sky was God,

Smoke spiraled

Clean sacrifice

To heaven;


Bare sleep on old rugs

Was devotion

In the cool bridge-shade

Of early morning.


That black street preacher’s

Holy Ghost

Smiled my face,

The way he reached me

Here, after every

Dangerous mile,

And trusted

That my soul was saved.


That day Jesus was demanding

In the rush of boxcars in the yard,

I was awakened by the growl of

Harleys on the four-lane,

The sky clouding over

So shafts of light

Might girder my chest.


That day he cracked a smile,

Said

“Be that way!”

And walked out ahead of me

Down the line,

The slack-action

Rippling through the couplers

A lifelong journey up my spine;

The birds of the fields

Well-considered;

So beautiful;

So taken care of.


III. Fire Ring


Finally,

The corn is neck-high.


A little late —

Autumn clouds now rolling in;


Heavy silence

Near the fire;


Late summer’s whispers

In the rows


To the clearing

Near the river.


Moonshadows

On the face of us,


Gathered from

Convergences


Untold,

Let go of


A little late;

Eyes shining gold


Through fire,

Giving everything


To flame,

To the murmur of current


Over the rise.


Moonbeams cross-section

The moments,


Distilled forever;

Tin cups


Filled with it —

This night —


Sugared coffee;

Cloud-smothered Perseids


Streaming songs

Of falling to the world.


A little late —

The earthen us —


Thinking of

The double-doused circle


In the morning;

Perfect, magical ring


Holding always

Dying embers in the speeding sun,


Drowned with

Water from the river


Even now

Coursing hopefully on.


IV. Arriving


I remember knowing

The necessity

Of stumble and momentum —

Hovering above

A grid-covered earth

And drinking in direction.


I recall new vocalization;

Songs of pilgrimage

And journey

Pushed through well-hewn

Stiff-water doors,

Arriving out of anterooms —

Out of tunnels

Through the black-lung crust

On platinum rails,

Escape velocity

Twitching in the ears,

Humming every year

Into crosshair focus.


Arriving I imagine

The days before the roar

Of flow and current,

When the curvature

Of the earth was overstated,

Misdirected into confines

Hoping to ice the soul

From care.


V. Catching Out


Living all of life tonight —

One night

To force familiarity

Into endless American miles.


Roadside with open arms

And hands

I give you

Bandaged days;


Every tired moment.


The world collects its toll —

Nightshade-deadly

As a thirty-eight

Hidden in the hay-bin;

Strangers on the road;

Boxcars coasting in the yard.


Wind through weeds

Pulls tomorrow’s miles

Longer,


Stretches me through

Fields of pumpkins,


Over mountains,


To the sea.


Tonight we sleep

A crucifix

In tall grass,


Stars shining through

A distant surface

And bleeding ancient light —


Our eyes oceans

To accept it.


And grace at last is the diesel pull

Of forward and forever,


Trackside always in the morning,


Fires for the chill of Fall,


A glimpse of Jesu

Through safety glass,


And coffee steaming through

The sunrise


Where we part,

Where I am unashamed to laugh aloud alone.


VI. The Trestle


You have traveled north

To where the earth

Holds onto the sun

For as long as it can,


And still stays cold,

Sighed into a flat sleep

Against the sky.


You are stepping off of trains

That have brought you

From the door of one life

To the next,

And interrupt the journey

With this trestle —

Triple-layered lumber

Stacked

By unseen hands

To last the floods,

The winds,

The claws and the backs

Of bears.


You will catch the sun

Between the creek bed

And the rails,


Find Polaris next

And watch it drift

Into your tomorrow.


The Holy Ghost brought you here

To breathe aurora —

To sleep and then awake

To watch this trestle

Take the weight

Of pilgrimage again:


Strong shoulders give it all

In one deep groan,

Longing for the promised land;

Wishing it as easy.


In the morning

You will find all things new,

Beautiful and strange

As a dead bird’s wings

Spread open on the tundra.


And you —

You must let go of it and leave,


And catch out

From all these standing places,

Having dirtied your hands

Against all manner of iron;


Against the dust

Lifted up upon your palms from

Sifting through

The old-bone days;

Caught in all ways up within

The very journey toward

The unsaid things you seek.

Sunday, May 23, 2010

Terrors of Boyhood

I was probably about 6 years old when Matthew Meese, who lived around the corner from me, had the brilliant idea to play cowboys and indians. We went to his house, where he ran inside and momentarily produced the following: A papier mache "Indian shield" that his older brother had made in art class; a handful of .38 caliber bullets; and a chrome snub-nosed .38 revolver. (Matthew's father was a security guard.) He handed me the poorly painted papier mache shield and all but one bullet, and then began busily working at the revolver, trying to figure out how to get the chamber free from the gun in order to begin loading bullets. While he was doing this, my eyes were darting from the shield to the gun. I can still feel the sweaty lead tips of those bullets tumbling around nervously in my hand .... My six-year-old brain was apparently ahead of Matthew's in the logic department: "I don't think this shield will stop bullets," I offered. His response? "It's a shield, shields stop bullets." No, no ... something was wrong here. (I knew that when mom safety-pinned a bath towel around my neck to approximate Superman's cape, that didn't mean I'd suddenly inherited the ability to fly and stop speeding freight trains with my outstretched arm.) Maybe I should run this whole thing by my mom. I handed Matthew the shield, and ran back around the block back to my house, where my mom was standing on the sidewalk talking to neighbors, like they used to do back in the old days. (The days when six-year-olds were free to roam the block on their own.) I approached my mom, and tugged on her shirt. I held out my hand and asked if it was true that ALL shields stopped bullets, even ones made of paper.

And that was the last time I ever saw Matthew Meese.

I did manage to keep a bullet ... As I recall, I had a pretty good idea my mom would confiscate them, and so I pocketed one on my way around the block. I had that thing for years. I would lose it much later, after we'd moved to a new town. Another crazy friend was convinced that one could cause a bullet to fire simply by smacking the end of it hard enough. He tried his best to drop it firing-mechanism-side-down into an empty storm sewer in an attempt to set it off. And there it remained, despite all attempts to recover it.

There are days when I stare in amazement as my two boys tempt fate - seemingly in every conceivable way - around the house. My oldest - who will cover his ears and run screaming from the room if you attempt to read him any story wherein a character gets in trouble or becomes sad - will happily try to traverse the living room by leaping from chair-top to chair-top. (Thankfully his head is harder than his pillow-soft heart.) My youngest son has made a habit of announcing all of the things he was thinking of doing, but didn't do. It's a frightening list: "Daddy, I didn't put my arms in the fire ..."; "Daddy, I didn't hit that little boy in the face ..."; "Daddy, I didn't put my head in the TV." He's also taken to providing sneak previews of intended future life choices: "Daddy, when I drive my car, it will be faster than police cars ..."; "Daddy, when I grow up I will jump out of helicopters ..."; "Daddy, one day I will break up all the trees in the whole world." (?) From both of them I get helpful promptings: "You should drive the car FASTER!"; "You should put your glasses in the fire ..."; and my favorite - SAM: "Let's take our brains out and step on them!" LUKE: "Oh YEAH! Take our brains out and put them in a MONSTER TRUCK!" This is the state of affairs at 5 and 2. Drat.

Tuesday, May 18, 2010

A Quick One ... Off the Cuff ...

This is a way for me to
Collect the differences
Between satellites and stars —
Hold the history of lakeshore
Travel and train wreck
Against my chest;
Mackinac straining against
The years — decades of
Old rust falling from the
Heights into taverns and
8mm recollection —
Church basements dark
With promise and hope.

Tuesday, May 11, 2010

God Says ...

My sister married her husband Rich back in June of 2008. She asked me to read a poem at her wedding ... preferably one I'd written ... and preferably one I'd written for the occasion. Poems are few and far between for me these days, so it was a challenge. Of course I agreed, put something together pretty quickly ... and then put it down until a week or so before the big day. (Because I work best under pressure, or something.)

As the extended family's resident technophile, I was also recruited to compile the requisite Ken Burns pan-and-scan bride/groom slideshow, and the soon-to-follow also requisite wedding video DVD. So when it came time to author said DVD, the question came up: To preserve my commissioned wedding poem for the ages, should I rely upon the grainy, hesitant image of my middle-aged, nervous, tired self reading said poem at the wedding - garnished with my inability to do so without breaking into tears mid-way through the reading, my shining forehead glistening with flop sweat ... or should I break out the After Effects badness and whip up a quick graphical representation? I took the After Effects route, which is presented here for your edification. It was quick and dirty - only a solitary lens flare effect and a quick Gaussian blur thrown in there for the heck of it - but it was an interesting experiment. In a minimalist sort of way, I hope it hints at what visual/graphical treatment can bring to the poetic table.

One final note: DVD-standard footage is interlaced, which can cause some goofiness when played back on a computer. I didn't bother de-interlacing anything, so the text may be kind of blurry and blotchy ... especially when compressed by Google. But, sorry to say, I've messed around with it as much as I'm willing to. So squint, you big baby.


Thursday, May 6, 2010

Happy Mother's Day



From Sam:

I love Mom because: "She loves me and plays with me. She makes food for me and then I don't have to make a peanut butter and jelly sandwich myself."

What I Know About Mom:

What does she do?: "Laundry"

What does your dad call her?: "Liz"

What is her favorite food?: "Sandwiches"

What is her favorite color?: "Green"

Does she have any brothers or sisters?: "No"

What does she like to do for fun?: "Play with me"

What is your favorite thing about her: "I like to look at her"

(Note: Could be Daddy's favorite thing about her too.)